Architectural Portfolio Summary – Nika Jagdzijanc
Architecture, to me, is more than just the creation of spaces—it is a way to challenge perceptions, tell stories, and shape experiences. In my portfolio, I explore the intersection of materiality, form, and narrative through a combination of photography, digital modeling, casting, and conceptual design.
- Chairing Conversations
Inspired by Ai Weiwei, I reimagine the chair as both a functional object and an artistic sculpture. Through photography, digital manipulation, and pencil studies, I explore themes of iconoclasm, symbolism, and spatial perception, transforming an everyday object into a conceptual statement. - Casting Heritage
My fascination with historical architecture led me to study the textures of Siena and San Gimignano, culminating in a plaster cast relief inspired by Graeco-Roman motifs. This hands-on exploration allowed me to experiment with material techniques while bridging past and present architectural expressions. - The Wonder Room
Drawing inspiration from Alice in Wonderland and René Magritte’s surrealist compositions, I reimagine my personal space as a dreamlike sanctuary. Using sketches, collages, and digital manipulations, I transform ordinary objects—my bed, mirror, and piano—into abstracted, symbolic forms. - A Tapestry of Emotion
In this mixed-media collage, I explore the emotional resonance of fabric and memory. By layering textiles, embroidery, and hand-drawn elements, I create an abstract landscape that captures personal and collective narratives embedded in materiality. - Pebble House
Inspired by the natural forms of pebbles along the Brighton coastline, I designed a conceptual dwelling that integrates seamlessly with its surroundings. Through sketching, modeling, and material exploration, I aimed to capture the fluidity, resilience, and organic beauty of nature within architectural form. - Brighton Beach Pavilion
This project addresses coastal pollution and climate change by envisioning a temporary pavilion that evolves over time. Taking inspiration from Christo’s wrapped installations, I developed the design using Rhino and Photoshop, creating a dynamic structure that absorbs plastic waste while serving as a community gathering space.
Through my work, I strive to push the boundaries between architecture, art, and environmental consciousness. I am particularly drawn to the experimental and interdisciplinary approach, and I am eager to further develop my ideas in an environment that encourages conceptual exploration and critical thinking.